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Archive for March, 2018

Close up image of Objectification I - a sculpture by artist Adesina

Hello my loves,

As Women’s History Month comes to a close, I wanted to share one of my recent sculptures, focused on the female form, which is currently drying in my studio & awaiting a coat of varnish and a patina: “Objectification (I).”

If you have a moment, here is her story:

In the aftermath of the #MeToo movement earlier this year, I’ve been thinking a lot about what it means to be a woman, in a culture where sexual predation still occurs, yet somehow has been ignored in certain sectors, for so very long. Especially since I have been working in the entertainment industry as a television host for the past 13 years, and even having been introduced to the “casting couch” myself (to which I said “No thank you, I’ll pass” lol), the entire movement hit very close to home.

Image of the legs, feet and face of Objectification I - a plaster sculpture by Adesina

Objectification I sculpture by artist Adesina – legs, feet and face only.

This sculpture, a nude woman, her face neatly removed as if through a futuristic, bloodless surgery, and placed by her feet, is not so much about sexual assault in and of itself, as much as it’s about the erasure of women’s identities, in the midst of all these accusations and public outcry. It’s about how it feels to be exposed to the world, with one’s story of sexual abuse or harassment, and being made into just one of a huge number of interchangeable women – angry women, mistreated women, scared women, women who were in the wrong place at the wrong time, or women labeled as just plain stupid, or manipulative even, for having been in these situations in the first place, and for either disclosing, or not disclosing, after the fact (and in many cases – you are wrong no matter which you choose).

It’s the objectification not of the body, but of the mind & of the soul, which leaves one naked and alone, even as we stand strong, and our voices rise together; so that we remain faceless, in the aftermath of a movement that we put so much hope into, and of which we have yet to see what the far-reaching outcomes will be.

Once the sculpture is completely dried and a patina applied, I will post more about her, with some video of the process, which if you have ever casted a clay sculpture in plaster, you know is quite an ordeal hehe!

Thank you so much for reading, and if you’d like to place a bid on this piece before it’s done (thus securing her for yourself in advance) please contact me here.

Full image of Objectification I - a plaster sculpture by Adesina

Complete sculpture – Objectification I – by Adesina.

Much love,

Adesina xo

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New Sight Blooms by Artist Adesina in progress shot
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Artist Adesina’s Rebirth Wine Bottle Series in a photo by Rod Savant

Happy Tuesday! I hope everyone is having a great day so far — I definitely am! I recently got to visit the house of one of my collectors, and LOOK — two of my “Rebirth” wine bottles from back in 2011!

 

It felt so good to see them displayed in a loving home setting, and to pick them up and remember all the time it took to paint them (30 hours just to paint the one with the eye – “New Sight Blooms”), not to mention how proud I felt to do all that work knowing 100% of the proceeds would benefit charity.

When I was first approached by Rawhouse Wine to paint these bottles, I was really excited, but honestly I was also overwhelmed, because I have a very detailed painting style, and I knew that painting six bottles, to the high standards I hold myself to, would be over 100 hours of work, and for free, since they were auctioned off for a children’s art & music charity.

But then I thought about when I was a child, and how badly I wanted to be an artist, but the NYC public school system was always cutting arts education, making it nearly impossible for me to get access to the training I needed. And I realized that I have to the power to help other little kids just like who I was all those years ago. So, I buckled down, joined team #nosleep lol, and I did it! And if I remember correctly, it was down to the wire and I was delivering the finished bottles something like the day before the auction, and up to the last minute, I still didn’t know if I’d be able to finish.

After the auction, I took two of the beautiful professional photos that Rod Savant took of the bottles, and sold them at an art show to benefit Artistic Dreams International, another children’s charity that I actually used to volunteer for, teaching drawing to underprivileged kids up in Harlem.

So you can imagine all the emotions I felt when I saw these two pieces again, still holding a place of honor in a home, so many years later. This is the legacy I wish to leave behind: Beautiful art & loving philanthropy, always.

What is the legacy you wish to leave behind? Perhaps there is something we can collaborate on, to help the community, and bring more beauty into the world? Feel free to leave a comment below, or message me here. I’d love to hear from you!

Love,

Adesina

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