So pleased to share this mini head which I made as part of a larger series. As you can guess from this blog post title, I’ve taken some inspiration from Black Panther – the underglaze mimics Shuri’s face paint!
Check out a short video of this piece, below:
Making art is such a soothing and self-affirming process. Sculpting this piece in particular reminded me of my first sculptures as a child, because back then I was very much preoccupied with finish, and on this piece, I tested several underglaze combinations before I was satisfied.
There’s more to come with this piece and others, so bookmark its portfolio page for updates!
Adesina (She Opens the Way)
If you’re someone who has already had work commissioned for you in the past, you’re probably already aware of the process. But for those of you who haven’t, I’m going to elaborate on the process of having an original work of art commissioned for yourself. This is particularly for those who have been wanting to do so for a while and are finally ready to take the first step!
If you are looking to commission a work of art for the first time and are not sure where to start, here’s how you go about it.
The first thing you want to do is choose an artist who you wish to commission. Keep in mind that every artist has their own style and capabilities. To get a good sense of the artist’s style, visit their web site and check out their previous work, like artist Adesina, or any other artist you have in mind.
However, sometimes what’s in an artist’s portfolio, isn’t all they can do. Many artists, especially those just starting out, or who don’t make art full-time, just haven’t yet had the opportunity or time to create work in all the styles that they are capable of. And your commission might just be the chance they were waiting for! So feel free to contact the artist, if you see that they have work that you like, even if it isn’t exactly what you are looking for. This is particularly a good idea, if their existing work is more complex or requires more skill than perhaps you require.
A good example of the above, is a realistic artist who has mostly highly detailed, realistic paintings in their portfolio. If they don’t have a lot of pieces, and/or it looks like they are just starting out, it’s possible that they would like to explore other, simpler/looser styles of painting, but just haven’t done so yet. Or perhaps they already have created works like that, but simply haven’t posted them up on their site yet.
Another good example, is if perhaps you are looking for a sculpture of your pet, and you find a sculptor online who has done a few really great sculptural busts of people. More than likely, if they can realistically sculpt a human being (hair included of course!), they can probably make something beautiful of your furry pet as well.
In cases like these, get in touch, send them an email, and just ask: Would they like to do something in the style of, or in regards to the subject matter, that you are looking for? Do they have any relevant samples that are not on their site yet, that they can share via email? In many cases, the artist will be happy for your interest and inquiry, and even if they can’t create what you need, often artists can recommend colleagues who can. Take advantage of their network and recommendations; you might find the perfect person, without having to do endless searching!
Once you find an artist whose work and style you appreciate or connect with, then you can move to the next step.
It helps to connect with the artist you wish to commission, and find out if they do commissions to begin with. Further, different artists have different work parameters or boundaries. There may be some that appreciate a little direction, and others who would rather you left the art to them.
Figure out what you prefer, and find out if the artist and you are on the same plane.
In my studio, for example, I always ask that the client provide images of the style, indicating the level of detail, as well as the level of realism or lack thereof, that they are looking for. Clients can pick from my online gallery at Adesina.com, or they can just Google general images, and send me the ones they like.
You will need to give the artist you commission some information, even if they are the independent sort. Things you might want to consider include what you’re looking for by way of size, preferred shades or colors, as well as themes to work on (if that is an option).
Giving the artist a sense of what you’re looking for will help them proceed to create the work you want to see.
Once you and the artist are on the same page about the work you’re commissioning, the artist will quote a figure. Typically, you will probably need to pay them part of the figure as an advance for materials and initial payment, to begin your commissioned piece.
If you’re having someone do a live portrait of you instead of from photos, you’ll need to coordinate and schedule sessions and sittings where you model for the artist. Make sure you pick an artist who isn’t too far away! Unless of course you want to make a trip of it — perhaps a vacation/portrait-painting-trip to New York City?
When the artist finishes working on the piece you have commissioned, you will be asked to make one last payment. This will probably be the balance remaining from the quote provided when you began the process. Once this payment is made, voila! You have your first commissioned piece of work!
As you can see, commissioning a piece of work is fairly easy if you have the resources. It’s finding the right artist that’s key to a great outcome. But by taking the first step and just reaching out to an artist that you like, they may be able to help guide you to refine your project idea, and to find the right artist for you, even if they can’t help you out themselves, saving you lots of time and energy!
If you want to commission and own your first personal piece of art, feel free to circle back to my webpage Adesina™ | Artist. I’m in the midst of preparing for a solo show, but I’m still accepting select small commissions (black and white drawings and small sculpted heads) thru the end of 2018, after which all commissions will be available again! You might even find something you like in my collection of affordable art prints, ceramics and sculpture. Alternatively, get in touch and let’s talk about what you’re looking for – I love to help!
– Adesina, Artist
We’re really big on using art to make statements on things that hold relevance in the world today. In a world where the personal is political, art stands as a brilliant way to trigger and engage in political discourse.
One of the more salient facets of art, is the personal element. Different artists go through different processes; the culmination of the artistic process being the work itself. There is no one correct way to go about producing a piece of artwork. That being said, when using your art to make a political statement, there are a few tips and pointers we’d like to share on how to go about it!
As mentioned earlier, the intricacies of your artistic process are yours and yours alone. On the flip side, there are certain items to keep in mind, that can really help you make a political statement through your artwork.
The first thing you want is clarity. Be very clear on the political statement you wish to make. Because you are working with visual elements rather than words, often the end meaning will be up for grabs, as your art will be subject to interpretation by the viewer. So considering that eventuality, it’s best to at least start off as clear as possible, in order to minimize misinterpretation later. Writing up a preliminary summary of what you hope to communicate, as a first step, is an excellent way to refine your own ideas on the subject, and will help you make the statement effectively!
It is incredibly important to be informed before you make a political statement in public, and that goes for all activists, regardless of medium. If for example, the statement you wish to make is linked to a certain situation, research that situation and its historical context. Discover the details that can both inspire and be incorporated into your artwork, and make sure you that understand what really occurred, so as not to base your opinions on false assumptions.
It always helps to be very specific when it comes to making a political statement through your art. Once you have crossed the research phase, you should have ample material to work with. If the political statement you’re trying to make is on environmental degradation for instance, find out specific situations that you can depict in your work which convey the right message.
The more specific you are, the stronger your statement is likely to be!
Once you’re clear on the message and the image or object you wish to make, determine what medium and style would be best for your subject matter. Is it a specific scene or person, whom you would need to render in great detail, or realistically, in order to make your point? Or are you more concerned with an abstract concept regarding your subject matter, which would be best executed in a looser style or with unconventional materials, like found objects or household items?
Make some sketches, and don’t be afraid to play with different materials to make mockups and maquettes. Being clear on the medium can help you better plan your work, as does understanding what style you wish to employ!
Last but not least, when it comes to making political statements through your work, where and how you display it, can very much be a part of the message you’re trying to get across. Open public spaces for instance, where there is a high degree of human traffic, can be ideal when it comes to putting out a loud political piece!
Art is a great way to make a political statement, and depending on how you go about it, it can be extremely effective. If you enjoy political artwork and are looking for images and sculptures that inspire both thought and social action, feel free to check out artist Adesina and her growing collection of artwork for sale in NY at Adesina.com! Sanchez’s work is layered, well informed, and politically driven, while being both aesthetically appealing and emotionally inspiring.
– The Adesina LLC Team
Hellooooo from the art studio 😀! I’ve been working hard and I wanted to share with you, a few behind the scenes clips, on a sculpture which is very nearly done – yay! 🙌💃
And for more videos and updates like this one, be sure to like and follow me on Facebook, at Facebook.com/ArtByAdesina
¡Holaaaaa desde el estudio de arte 😀! Estoy trabajando mucho y quisiera compartir un video detrás de escena ¡sobre una escultura cual está casi completa! 🙌💃
Y para más videos y noticias como ésta, por favor siguenme en Facebook, en Facebook.com/ArtByAdesina
There is nothing morally wrong with creating art for the sake of art. The creation of something visually captivating and aesthetically appealing is never a bad thing. That being said, art is an extremely powerful tool for communication.
Art has the ability to fill in where words fall short, and can make a huge impact. Art can be used to communicate concerns, ideas and opinions, on subjects that are important and relevant to society, or even just to convey one’s own personal feelings. Artwork can serve as compelling commentary on the state of the world at large.
Many of us wonder how to add more depth and meaning to our work. One dimension that could potentially be expanded to enhance our artistic output, is that of purpose. There is so much more that you can communicate via your art, by fueling and directing it, with a relevant cause or message that you wish to put out. This gives you, and your work, purpose.
In this post, we will elaborate a bit on one possible route you might take during such an artistic, purpose driven process.
There are many causes worth taking up and fighting for in our world today. Some of the more commonly known, include fighting against animal cruelty, racism, and sexism; as well as advocating for women’s rights, children’s rights and environmental conservation.
Think about what is important to you. Find your cause, understand what it’s about, and then allow it inform your artistic process.
You need to figure out how you wish to communicate that which you feel is relevant and important. Get a sense of what medium or mediums you want to work with. Will it be a public display or something more intimate? What kind of impact are you looking to make with your work and how will you go about achieving it?
These questions are important to ask while you are deciding both your medium and your style, and before you begin the actual work.
Last but not least, while actually working on your painting, sculpture or other work of art, let the cause you care about, inform your creative process. Let it influence your choice of color, stroke and composition; allow it to reveal itself in the shapes on your page or canvas, or in the folds of your clay. And while creating work that is overtly about the subject matter in a very obvious way is definitely a clear way to go about it, remember that sometimes it is not a blatant message, but simply the essence of the matter, that is enough to make the impact you’re looking for. Symbolism, abstraction, and allegory are fabulous tools in that case.
Like we said, there is no evil in creating art for the sake of creating art — so many artists have done it, and will continue to do so. However, creating art with purpose, is what the world needs more of! If you’d like to see some inspiring artwork for sale in NY, lovingly created with purpose, then check out artist Adesina’s commentaries on ecology (Bleak Future), mortality (original skull art), and equality (I Have A Dream 2013), or give us a shout on social media (@ArtByAdesina on most platforms) or our contact form, for more gorgeous, heartfelt material!
– The Adesina.com Team
Art has been used to instigate, support and bring about social and political change for a very long time. Today, artists the world over, use their skills and expertise to spread awareness as well as to comment on a host of global issues.
Since some of my readers might be confused or unclear about how art has the power to bring about and encourage change, I’m going to elaborate on that a little over the course of this blog.
There are so many smaller elements that make up the whole; and if you go through each of the headings below, by the end you will see how collectively each contributes to the overarching effects that art has on society.
By providing us a safe space to explore, art helps teach us to try new things, understand different perspectives and challenge norms and rules that we might have grown up with.
By providing inspiration, art can push people to do better, be better, and evolve, as well as face and conquer various problems they are faced with.
Being a form of expression, art encourages people to come out with what they are holding onto within. Often times this brings likeminded folk together. When together, like minded folk, with ideas on how to improve the world around them, get things done.
Art can be used to discuss and dialogue on matters which could otherwise offend people to the point of violence, in a lighter, more psychologically acceptable way. In other words, it can be used to challenge wrongful acts and injustices, without offending.
Whether you’re appreciating art together or creating it, a sense of community is formed. Art brings people together and encourages personal involvement. This paves the way for timid yet highly intelligent individuals, who want to take part in meaningful causes, to do so. The interaction helps breed confidence and further productive action!
Another amazing trait of a good piece of artwork, is that those interested will endeavor to understand the deeper meaning in the work. It doesn’t matter if you’re following the life of an artist or analyzing their use of color and style of stroke. The skills you’re honing, are those of critical thinking and analysis. Both are crucial when it comes to sociopolitical involvement and action!
We don’t all speak the same language, but a sculpture, a painting, or other thought/emotion provoking piece of art work can be understood by most. Even if it does not look appealing by conventional standards, the ability of a piece of art to evoke a feeling, is what communicates its meaning.
Art is a language understood by people the world over, regardless of background, educational history or age.
Though on their own these elements might not seem consequential, together they set the stage for the ways in which art can create and inspire critically thinking, socially active, as well as socially empathic, human beings. It is individuals like these, who both on their own, and collectively, push and rally for change the world over! And this, is why I as an artist, am driven to create.
If you would like to purchase affordable art prints, sculptures, paintings or ceramics, while supporting meaningful causes, then please feel free check out my site, Adesina.com, or give me a shout on social media: @ArtByAdesina on Twitter, Facebook, Instagram, Pinterest, DeviantArt, YouTube, and various other platforms.
So I started this drawing last MerMay, and even though I signed it, I never really felt I had finished it. So since May has swung around again, I thought I’d take it out and add some more color!
Here is last year’s post — Hit the right arrow to see the original progress video 🙂
And here’s an update from today! Check out the deep blues and greens of the water – What do you think? Should I add some coral to the sea floor?
I hope you guys like the picture so far, and stay tuned for a finished version!
What is the importance of Art in our lives?
Art enables us to find ourselves and lose ourselves at the same time. It changes the way we see the world and everything around us.
Keep on reading to find out how great art can help us define our very lives, and share this infographic with anyone who would like to see the many wonderful ways that art has shaped and reflected society <3.
While I mull over the final finish for my latest sculpture, Objectification (I), I thought I’d put together a video of the process, to give a little glimpse into the weeks of hard work that even a small sculpture can take.
From molding the clay on the armature, to covering it in several coats of plaster to make a cast, to letting that dry only to dig out the original clay, and fill it with more plaster, to finally chipping away at the mould to reveal the final sculpture underneath, it is quite a journey!
I hope you enjoy the video and the process, and I can’t wait to share the final reveal when her patina is done.
(Read more about the meaning of this sculpture, here»)
Above drawing: Cartoon Portrait of Star Ruiz by Adesina, 4.5″ x 6.5″. Copic Markers (all colored areas), Sharpie (large black areas), Sumiiro brush pen (black lines), white gel pen (white highlights), & watercolor (gray in eyes & teeth), on heavy weight drawing paper.
So I’ve been meaning to try out Copic Markers for the longest, and I bought a couple packs a few weeks ago, but I didn’t have a chance to open them up until now.
Well was I in for a treat! These markers are so much fun to use; nothing like the regular markers we all played with as kids. First, they blend really well – if you color in an area all at once, you get almost no streaking, and if you layer a light color right next to a dark color that is still somewhat wet, you can blend the edges together to create an almost watercolor effect.
In fact, that’s what I would compare them the most to: watercolors. Like watercolor, they also bleed through regular paper. I used pretty heavy drawing paper for my drawing, but the next page in my sketchbook still had lots of bleed through on it, so next time I will put a piece of scrap paper in between. Also, I noticed that any area you color bleeds a bit into the adjacent areas, especially if you are heavy handed, so in future I will not color right to the edge of my lines, but instead I will stop maybe a millimeter away, and let the bleed carry the color to the edge.
Also, I discovered a few things about the colorless blender. I thought it was something I could use similar to the way you use the colorless blender pencil with Prismacolors: layer two colors one on top of the other, or side by side, and then rub the blender on top to make them one solid hue, or to create a seamless transition. Nope. The markers themselves actually naturally blend on their own. Layer colors one on top of the other and they will create a new color (and not always the color you anticipate either, so test it on scrap first lol), and as I said before, if you use one color right next to another that is still wet, they will also bleed into each other naturally.
The colorless blender is actually more like an eraser of sorts. You can use it the same way you would use a clean brush dipped in water, with watercolor. It can lighten colors, and I was even able to use it in order to clean up some edges where the markers bled excessively. But if you are too heavy handed it can also cause the paper to warp, and colors to bleed even more, so be careful.
Timelapse of my drawing:
And, similar to acrylic paints, these markers dry lighter than they go on. Which made it a bit confusing when I was trying to touch up some of the shading on areas that were already dry — it was hard to tell if I was actually making the area darker, or if it just looked darker because it was wet compared to the dry areas. I think in future I will try to only work wet into wet when I am shading, or at the very least, make a mental note of what colors I used where, so that I can either match the color, or pick the right darker color to shade it with.
And finally, I definitely understand now why people buy so many different colors. Although they do blend, the colors they create are not always intuitive and some unexpected results can happen. If you really want a specific color, you need to buy it, because chances are, you won’t be able to mix it perfectly with just the primaries. So I think I’ll invest in a few shades of gray, as well as some secondary colors, next :).
If you want to try out these markers for yourself, here are the ones I bought, below (I think the skin tones are sold out until May, but the primaries are avail now):
Copic Sketch Markers – Perfect Primaries
I also bought the colorless blender (Number “0”) and a loose marker, RV25 “Dog Rose Flower” which is a hot pink.