Hellooooo from the art studio 😀! I’ve been working hard and I wanted to share with you, a few behind the scenes clips, on a sculpture which is very nearly done – yay! 🙌💃
And for more videos and updates like this one, be sure to like and follow me on Facebook, at Facebook.com/ArtByAdesina
¡Holaaaaa desde el estudio de arte 😀! Estoy trabajando mucho y quisiera compartir un video detrás de escena ¡sobre una escultura cual está casi completa! 🙌💃
Y para más videos y noticias como ésta, por favor siguenme en Facebook, en Facebook.com/ArtByAdesina
There is nothing morally wrong with creating art for the sake of art. The creation of something visually captivating and aesthetically appealing is never a bad thing. That being said, art is an extremely powerful tool for communication.
Art has the ability to fill in where words fall short, and can make a huge impact. Art can be used to communicate concerns, ideas and opinions, on subjects that are important and relevant to society, or even just to convey one’s own personal feelings. Artwork can serve as compelling commentary on the state of the world at large.
Many of us wonder how to add more depth and meaning to our work. One dimension that could potentially be expanded to enhance our artistic output, is that of purpose. There is so much more that you can communicate via your art, by fueling and directing it, with a relevant cause or message that you wish to put out. This gives you, and your work, purpose.
In this post, we will elaborate a bit on one possible route you might take during such an artistic, purpose driven process.
There are many causes worth taking up and fighting for in our world today. Some of the more commonly known, include fighting against animal cruelty, racism, and sexism; as well as advocating for women’s rights, children’s rights and environmental conservation.
Think about what is important to you. Find your cause, understand what it’s about, and then allow it inform your artistic process.
You need to figure out how you wish to communicate that which you feel is relevant and important. Get a sense of what medium or mediums you want to work with. Will it be a public display or something more intimate? What kind of impact are you looking to make with your work and how will you go about achieving it?
These questions are important to ask while you are deciding both your medium and your style, and before you begin the actual work.
Last but not least, while actually working on your painting, sculpture or other work of art, let the cause you care about, inform your creative process. Let it influence your choice of color, stroke and composition; allow it to reveal itself in the shapes on your page or canvas, or in the folds of your clay. And while creating work that is overtly about the subject matter in a very obvious way is definitely a clear way to go about it, remember that sometimes it is not a blatant message, but simply the essence of the matter, that is enough to make the impact you’re looking for. Symbolism, abstraction, and allegory are fabulous tools in that case.
Like we said, there is no evil in creating art for the sake of creating art — so many artists have done it, and will continue to do so. However, creating art with purpose, is what the world needs more of! If you’d like to see some inspiring artwork for sale in NY, lovingly created with purpose, then check out artist Adesina’s commentaries on ecology (Bleak Future), mortality (original skull art), and equality (I Have A Dream 2013), or give us a shout on social media (@ArtByAdesina on most platforms) or our contact form, for more gorgeous, heartfelt material!
– The Adesina.com Team
While I mull over the final finish for my latest sculpture, Objectification (I), I thought I’d put together a video of the process, to give a little glimpse into the weeks of hard work that even a small sculpture can take.
From molding the clay on the armature, to covering it in several coats of plaster to make a cast, to letting that dry only to dig out the original clay, and fill it with more plaster, to finally chipping away at the mould to reveal the final sculpture underneath, it is quite a journey!
I hope you enjoy the video and the process, and I can’t wait to share the final reveal when her patina is done.
(Read more about the meaning of this sculpture, here»)
Hello my loves,
As Women’s History Month comes to a close, I wanted to share one of my recent sculptures, focused on the female form, which is currently drying in my studio & awaiting a coat of varnish and a patina: “Objectification (I).”
If you have a moment, here is her story:
In the aftermath of the #MeToo movement earlier this year, I’ve been thinking a lot about what it means to be a woman, in a culture where sexual predation still occurs, yet somehow has been ignored in certain sectors, for so very long. Especially since I have been working in the entertainment industry as a television host for the past 13 years, and even having been introduced to the “casting couch” myself (to which I said “No thank you, I’ll pass” lol), the entire movement hit very close to home.
This sculpture, a nude woman, her face neatly removed as if through a futuristic, bloodless surgery, and placed by her feet, is not so much about sexual assault in and of itself, as much as it’s about the erasure of women’s identities, in the midst of all these accusations and public outcry. It’s about how it feels to be exposed to the world, with one’s story of sexual abuse or harassment, and being made into just one of a huge number of interchangeable women – angry women, mistreated women, scared women, women who were in the wrong place at the wrong time, or women labeled as just plain stupid, or manipulative even, for having been in these situations in the first place, and for either disclosing, or not disclosing, after the fact (and in many cases – you are wrong no matter which you choose).
It’s the objectification not of the body, but of the mind & of the soul, which leaves one naked and alone, even as we stand strong, and our voices rise together; so that we remain faceless, in the aftermath of a movement that we put so much hope into, and of which we have yet to see what the far-reaching outcomes will be.
Once the sculpture is completely dried and a patina applied, I will post more about her, with some video of the process, which if you have ever casted a clay sculpture in plaster, you know is quite an ordeal hehe!
Thank you so much for reading, and if you’d like to place a bid on this piece before it’s done (thus securing her for yourself in advance) please contact me here.
I needed a break from working on my mixed media piece so I decided to just play around a bit with the clay for a few minutes, and look what emerged? A lovely little bird sculpture!
And I thought I could take him/her home to show my cat (haha I know, I’m silly XD), but then one of my studiomates insisted on buying it from me. Less than a day old and already flown out of the nest! *tears* lol
Baking more Sculpey things: These look like little burnt Combos. Yup, time for bed!
Making a sculpture of teeth out of sculpey for my latest art project 🙂
I usually plan my pieces out to the last detail, but as part of my New Year’s “Revolution,” I’m breaking all the rules and just letting each inspiration build on the last. Excited!
Hope everyone is having a fun & creative day!
Everyone knows the Nefertiti Bust – the incredibly beautiful sculpture of the most famous Queen of Egypt, found in Thutmose’s workshop by archaeologist Ludwig Borchardt.
In the centuries that have passed since the bust was made, there has been so much speculation about what the ancient Egyptians actually looked like, especially guesses as to their racial heritage. Doubtless modern ideas of race were not valid categories in such ancient times, when populations were so different than they are now, but still, I’ve thought a lot about the debate as to whether the ancient Egyptians were African, Arab, or some other racial and ethnic designation we don’t have a name for today.
Either way, I thought it would be fun to re-create a bust similar to Nefertiti in style, but with more Afrocentric features. But I ended up getting so wrapped up in the process, that I never completed the headdress or color! Luckily, a buyer liked her just as she was, and I was able to cast a copy of the head for them.
What should I do with the original? Should I complete her and turn her into a Queen? Or just seal and paint her as she is?