There is nothing morally wrong with creating art for the sake of art. The creation of something visually captivating and aesthetically appealing is never a bad thing. That being said, art is an extremely powerful tool for communication.
Art has the ability to fill in where words fall short, and can make a huge impact. Art can be used to communicate concerns, ideas and opinions, on subjects that are important and relevant to society, or even just to convey one’s own personal feelings. Artwork can serve as compelling commentary on the state of the world at large.
Many of us wonder how to add more depth and meaning to our work. One dimension that could potentially be expanded to enhance our artistic output, is that of purpose. There is so much more that you can communicate via your art, by fueling and directing it, with a relevant cause or message that you wish to put out. This gives you, and your work, purpose.
In this post, we will elaborate a bit on one possible route you might take during such an artistic, purpose driven process.
There are many causes worth taking up and fighting for in our world today. Some of the more commonly known, include fighting against animal cruelty, racism, and sexism; as well as advocating for women’s rights, children’s rights and environmental conservation.
Think about what is important to you. Find your cause, understand what it’s about, and then allow it inform your artistic process.
You need to figure out how you wish to communicate that which you feel is relevant and important. Get a sense of what medium or mediums you want to work with. Will it be a public display or something more intimate? What kind of impact are you looking to make with your work and how will you go about achieving it?
These questions are important to ask while you are deciding both your medium and your style, and before you begin the actual work.
Last but not least, while actually working on your painting, sculpture or other work of art, let the cause you care about, inform your creative process. Let it influence your choice of color, stroke and composition; allow it to reveal itself in the shapes on your page or canvas, or in the folds of your clay. And while creating work that is overtly about the subject matter in a very obvious way is definitely a clear way to go about it, remember that sometimes it is not a blatant message, but simply the essence of the matter, that is enough to make the impact you’re looking for. Symbolism, abstraction, and allegory are fabulous tools in that case.
Like we said, there is no evil in creating art for the sake of creating art — so many artists have done it, and will continue to do so. However, creating art with purpose, is what the world needs more of! If you’d like to see some inspiring artwork for sale in NY, lovingly created with purpose, then check out artist Adesina’s commentaries on ecology (Bleak Future), mortality (original skull art), and equality (I Have A Dream 2013), or give us a shout on social media (@ArtByAdesina on most platforms) or our contact form, for more gorgeous, heartfelt material!
– The Adesina.com Team
So I started this drawing last MerMay, and even though I signed it, I never really felt I had finished it. So since May has swung around again, I thought I’d take it out and add some more color!
Here is last year’s post — Hit the right arrow to see the original progress video 🙂
And here’s an update from today! Check out the deep blues and greens of the water – What do you think? Should I add some coral to the sea floor?
I hope you guys like the picture so far, and stay tuned for a finished version!
While I mull over the final finish for my latest sculpture, Objectification (I), I thought I’d put together a video of the process, to give a little glimpse into the weeks of hard work that even a small sculpture can take.
From molding the clay on the armature, to covering it in several coats of plaster to make a cast, to letting that dry only to dig out the original clay, and fill it with more plaster, to finally chipping away at the mould to reveal the final sculpture underneath, it is quite a journey!
I hope you enjoy the video and the process, and I can’t wait to share the final reveal when her patina is done.
(Read more about the meaning of this sculpture, here»)
Above drawing: Cartoon Portrait of Star Ruiz by Adesina, 4.5″ x 6.5″. Copic Markers (all colored areas), Sharpie (large black areas), Sumiiro brush pen (black lines), white gel pen (white highlights), & watercolor (gray in eyes & teeth), on heavy weight drawing paper.
So I’ve been meaning to try out Copic Markers for the longest, and I bought a couple packs a few weeks ago, but I didn’t have a chance to open them up until now.
Well was I in for a treat! These markers are so much fun to use; nothing like the regular markers we all played with as kids. First, they blend really well – if you color in an area all at once, you get almost no streaking, and if you layer a light color right next to a dark color that is still somewhat wet, you can blend the edges together to create an almost watercolor effect.
In fact, that’s what I would compare them the most to: watercolors. Like watercolor, they also bleed through regular paper. I used pretty heavy drawing paper for my drawing, but the next page in my sketchbook still had lots of bleed through on it, so next time I will put a piece of scrap paper in between. Also, I noticed that any area you color bleeds a bit into the adjacent areas, especially if you are heavy handed, so in future I will not color right to the edge of my lines, but instead I will stop maybe a millimeter away, and let the bleed carry the color to the edge.
Also, I discovered a few things about the colorless blender. I thought it was something I could use similar to the way you use the colorless blender pencil with Prismacolors: layer two colors one on top of the other, or side by side, and then rub the blender on top to make them one solid hue, or to create a seamless transition. Nope. The markers themselves actually naturally blend on their own. Layer colors one on top of the other and they will create a new color (and not always the color you anticipate either, so test it on scrap first lol), and as I said before, if you use one color right next to another that is still wet, they will also bleed into each other naturally.
The colorless blender is actually more like an eraser of sorts. You can use it the same way you would use a clean brush dipped in water, with watercolor. It can lighten colors, and I was even able to use it in order to clean up some edges where the markers bled excessively. But if you are too heavy handed it can also cause the paper to warp, and colors to bleed even more, so be careful.
Timelapse of my drawing:
And, similar to acrylic paints, these markers dry lighter than they go on. Which made it a bit confusing when I was trying to touch up some of the shading on areas that were already dry — it was hard to tell if I was actually making the area darker, or if it just looked darker because it was wet compared to the dry areas. I think in future I will try to only work wet into wet when I am shading, or at the very least, make a mental note of what colors I used where, so that I can either match the color, or pick the right darker color to shade it with.
And finally, I definitely understand now why people buy so many different colors. Although they do blend, the colors they create are not always intuitive and some unexpected results can happen. If you really want a specific color, you need to buy it, because chances are, you won’t be able to mix it perfectly with just the primaries. So I think I’ll invest in a few shades of gray, as well as some secondary colors, next :).
If you want to try out these markers for yourself, here are the ones I bought, below (I think the skin tones are sold out until May, but the primaries are avail now):
Copic Sketch Markers – Perfect Primaries
I also bought the colorless blender (Number “0”) and a loose marker, RV25 “Dog Rose Flower” which is a hot pink.
50 years ago yesterday, Dr. Martin Luther King Jr. was assassinated at 6:01pm on the balcony of his room at the Lorraine Motel in Memphis, Tennessee. That day, we lost one of the greatest leaders in history.
And with all that has happened in the interim: from wars to peace protests, from globalization to technological advancements; Dr. King’s messages of equality and civil rights and non-violence remain relevant. Yet, no leader of the same caliber and reach has emerged in his absence. Where are today’s leaders, who can push society forward in greater increments, the way Dr. King did?
Two weeks ago, in Washington DC, a little girl from Alexandria stood in front of the nation at the March For Our Lives rally, and spoke her mind:
Her name is Naomi Wadler, and she’s eleven years old. Please watch her speech below:
Regardless of where you stand on gun violence (and at the very least, I’d like to think we are all united in wanting to curtail needless deaths, even if the methodology is often a point of contention), it is undeniable that this young lady is incredibly well-spoken, and brave, for being so young and articulating her thoughts on a national stage, and for organizing a walkout at her elementary school.
And while I would never compare a child to any of our great leaders of the past, every leader was once a child too, and seeing our young people stand up for what they believe in this way, gives me great hope for the future, and for a better world. We need more children (and adults) like Naomi! I hope she continues to speak out and make a difference; she has tremendous potential.
I hope you like my drawing of this incredible little girl; please feel free to share it! At this time it is not for sale.
Hello my loves,
As Women’s History Month comes to a close, I wanted to share one of my recent sculptures, focused on the female form, which is currently drying in my studio & awaiting a coat of varnish and a patina: “Objectification (I).”
If you have a moment, here is her story:
In the aftermath of the #MeToo movement earlier this year, I’ve been thinking a lot about what it means to be a woman, in a culture where sexual predation still occurs, yet somehow has been ignored in certain sectors, for so very long. Especially since I have been working in the entertainment industry as a television host for the past 13 years, and even having been introduced to the “casting couch” myself (to which I said “No thank you, I’ll pass” lol), the entire movement hit very close to home.
This sculpture, a nude woman, her face neatly removed as if through a futuristic, bloodless surgery, and placed by her feet, is not so much about sexual assault in and of itself, as much as it’s about the erasure of women’s identities, in the midst of all these accusations and public outcry. It’s about how it feels to be exposed to the world, with one’s story of sexual abuse or harassment, and being made into just one of a huge number of interchangeable women – angry women, mistreated women, scared women, women who were in the wrong place at the wrong time, or women labeled as just plain stupid, or manipulative even, for having been in these situations in the first place, and for either disclosing, or not disclosing, after the fact (and in many cases – you are wrong no matter which you choose).
It’s the objectification not of the body, but of the mind & of the soul, which leaves one naked and alone, even as we stand strong, and our voices rise together; so that we remain faceless, in the aftermath of a movement that we put so much hope into, and of which we have yet to see what the far-reaching outcomes will be.
Once the sculpture is completely dried and a patina applied, I will post more about her, with some video of the process, which if you have ever casted a clay sculpture in plaster, you know is quite an ordeal hehe!
Thank you so much for reading, and if you’d like to place a bid on this piece before it’s done (thus securing her for yourself in advance) please contact me here.
It’s not always easy to find time to paint when I’m running around on camera. But it’s not for naught, because all that I’ve experienced helps me to refine my vision for one of my upcoming series.
This morning I dug out this unfinished painting, “Beauty Blinded,” from a few years ago; I’m not sure yet if I want to finish it or start anew. It’s part of that series I just mentioned, which I’ve been dreaming a lot about lately: Women + Mass Media (working title, hehe). After nearly eleven years working onscreen, I’ve seen for myself how this business affects us; both those of us in front of the camera, as well as those watching at home. And it’s something worth examining.
Growing up, I was taught that a person’s most important characteristics lie within: intelligence, talent, kindness and strength of character are traits to strive for. So I worked hard, earned top grades, and practiced my art & musical instruments with diligence. Focused in this way, I found little use for personal beautification, and that coupled with coke-bottle glasses and my nerdy nature, made for a rather homely presentation; but it did not bother me, because I knew I was a good person and that’s all that mattered.
Fast forward to many years later, I suddenly found myself on television — an unexpected turn that surprised me as much as anyone else. And I quickly discovered, that in this business, it’s not what’s inside that counts. In this industry, the most important thing is to be “beautiful.” And mind you, being beautiful on television, isn’t the same as being beautiful in real life. In real life, we think our friends, our mothers & sisters, our grandmothers & daughters, are beautiful not just because of the color of their eyes or shape of their face, but based on the content of their hearts. But on television, as in most mass media, beauty is very rigidly and narrowly defined. Despite talk of body positivity running rampant, so many of my colleagues are cutting themselves up with plastic surgery: I can’t tell you how many friends of mine didn’t “make it big” until after a boob job. Meanwhile, I myself have been admonished for the tiniest blemish (Horrors! An imperfection lol!), and then praised when I lost weight, even though I’m already quite thin. Rather like a dog who has retrieved a ball — “Good girl!” they say. Am I? Am I good? Because this kind of praise, as condescending as it is vacuous, doesn’t feel good.
And what about the viewers at home? What about the people connived into believing that their air-brushed celebrity crushes are as perfect as they appear, or that they too, at home, should aspire to squeeze and alter themselves to fit an unrealistic ideal in the name of self-improvement? And in my personal experience as a math & SAT tutor, I have discovered that so many little girls are more concerned with being pretty & popular rather than being smart, or even just being good human beings.
These conversations and thoughts are not new. We’ve been discussing this for decades. And when I was a child, my parents did not allow me to watch much television, in part for these very reasons — in my home, gender roles, unrealistic beauty standards, and the dangers of mass media consumption were topics for discussion. But now, having experienced first-hand the pressures that we, the women behind the scenes in media, are actually exposed to, I have something I’d like to add.
Working in the media, I could make a documentary about this subject, or conduct interviews; I could write a report or make a YouTube series. But since I am an artist first, perhaps I’ll just put brush to canvas and see where that leads me.
Thanks for reading, and as I’ve often said on the air, stay tuned.
Did this little doodle in a book I illustrated for my mother as a gift. What actress do I think should play my Mom, aka Superwoman/medical doctor/nutrition expert/activist/entrepreneur & all-around bad-a$$, in a movie? Why, Pam Grier of course!
Pen on paper, colored in Photoshop.
Playing around with Photoshop and my latest live model sketch. First image is the original drawing; added the smile & eye movements on the computer ;).
Almost done with this digital painting; I block in the flat colors first (inset), then add layers of shading to give it life. I love drawing/painting strong female characters! Hope you guys are having a great start to your week.